MAU UMROH BERSAMA TRAVEL TERBAIK DI INDONESIA ALHIJAZ INDO WISTA..?

Paket Umroh Reguler, paket umroh ramadhan, paket umroh Turki, Paket Umroh dubai dan beberapa paket lainya

Jadwal Umroh Kami ada disetiap minggu, agar  lebih detail Anda bisa tanyakan detail ttg program kami, Sukses dan Berkah Untuk Anda

YOOK LANGSUNG WHATSAPP AJA Paket Umroh 20 jutaan KLIK DISINI 082124065740

Harga Paket Umroh 2016 di Bogor Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Harga Paket Umroh 2016 di Bogor Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.

Harga Paket Umroh 2016 di Bogor

saco-indonesia.com, Sofa juga merupakan salah satu furnitur rumah yang hampir ada di setiap rumah. Rasa nyaman dan empuk saat di

saco-indonesia.com, Sofa juga merupakan salah satu furnitur rumah yang hampir ada di setiap rumah. Rasa nyaman dan empuk saat digunakan untuk duduk telah membuat banyak orang lebih memilih duduk di sofa dibandingkan dengan jika duduk di kursi biasa atau kursi kayu.

Sofa yang jarang dibersihkan akan dapat menjadi sumber penyakit, oleh karenanya kita juga harus rajin dan secara berkala membersihkannya.

Sofa juga ada yang menggunakan cover yang bisa dilepas dan ada juga yang tidak bisa dilepas. Untuk dapat membersihkan sofa terlebih dahulu perlu diperhatikan bahan apa yang digunakan untuk dapat membungkus sofa tersebut. Jika sofa kita telah miliki ternyata dengan menggunakan cover yang tidak bisa dilepas, maka mau tak mau kita harus rajin membersihkannya dengan menggunakan vacuum cleaner. Atau bisa juga dengan menggunakan tips berikut ini:

Siapkan larutan deterjen dan sikat yang halus. Campurkan deterjen dengan air hingga berbusa banyak. Sikat bagian yang kotor dengan menggunakan busa deterjen tadi. Kemudian keringkan dengan menggunakan hairdryer. Kotoran juga akan dengan mudah terangkat dan sofa kembali menjadi bersih.

Sementara untuk yang cover-nya bisa dilepas untuk dapat membersihkannya ada beberapa cara. Untuk sofa yang menggunakan cover dengan bahan katun, kita juga bisa membersihkannya dengan cara mencuci menggunakan air (atau bisa menggunakan tips di atas tadi). Setelah itu jika mau diseterika juga boleh.

Untuk cover sofa yang menggunakan bahan dari polyester maka ini tidak boleh kena air. Cara terbaik untuk dapat membersihkannya adalah dengan menggunakan dry cleaning.

Sementara untuk cover yang menggunakan bahan dari woll sebaiknya tidak dicuci dengan air. Untuk mencucinya anda bisa dengan cara sistem dry cleaning.

Berbeda jika covernya dengan menggunakan bahan kulit. Untuk kulit ini ada dua jenis yaitu kulit asli dan kulit sintetis. Untuk yang menggunakan bahan kulit asli maka harus dibersihkan dengan pembersih khusus, biasanya berbentuk lotion. Sementara bila menggunakan kulit sintetis maka cukup dengan cara dilap dengan lap kering atau setengah basah.


Editor : Dian Sukmawati

Pulau Tidung yang letaknya di Kepulauan Seribu ini belakangan menjadi primadona bagi wisatawan yang ingin menghabiskan liburan,

Pulau Tidung yang letaknya di Kepulauan Seribu ini belakangan menjadi primadona bagi wisatawan yang ingin menghabiskan liburan, terutama pada akhir pekan. Untuk mencapai Pulau Tidung, perlu menempuh perjalanan sekitar dua jam dengan Kapal dari Muara Angke, Jakarta.Hingga sampai di tempat tujuan yaitu Pulau Tidung.

Pulau Tidung memiliki pantai pasir putih yang cantik, yang mana hamparan pasir putih ini memiliki luas sekitar kurang lebih 100 meter, dengan di lengkapi saung saung yang berada di sekitar Pulau Tidung, Letak daripada lokasi pasir putih ini di barat pulau tidung bagian selatan. Tidak sebatas pasir putihnya saja yang menjadikan pulau ini sangat menarik dan terkesan, bagi para wisatawan yang berwisata di pulau ini.

Ditambah lagi dengan ikon Jembatan Cinta yang memiliki cerita unik dan sejarah tersendiri di baliknya. Banyak hal yang membuat orang semakin tertarik mengunjungi Pulau Tidung ini, hal ini di buktikan dengan meningkatnya permintaan wisatawan yang mau berwisata ke pulau ini dari tahun ke tahun.

Ada beberapa pendapat , daripada jauh jauh ke pulau bali, yang uangnya atau biayanya sangatlah mahal, kenapa tidak ke Pulau Tidung saja, yang mana keindahan Pulau Tidung itu sendiri tidaklah kalah dengan pulau pulau yang ada pasir putihnya, salah satunya pasir putih yang berada di bali.


Hal ini bisa di buktikan karena adanya Gabung Mulung Tidung atau GMT . GMT itu sendiri merupakan kegiatan wisata yang dipadukan dengan pelestarian lingkungan melalui hal sederhana, yaitu memulung sampah di seputaran pantai Pulau Tidung. sehingga pantai Pulau Tidung ini terus terjaga ekosistemnya, dan kebersihannya.

Rata- rata wisatawan yang datang ke Pulau Tidung memiliki masa tinggal paling lama 2 hari. Oleh karena itu, pemerintah daerah setempat sedang mencanangkan bagaimana agar wisatawan dapat memperpanjang masa tinggalnya.sehingga Pulau Tidung ini bisa mendapatkan devisa, dan omset tersendiri untuk ibukota jakarta.

Untuk itu, berbagai perbaikan akan dilakukan oleh pemerintah daerah setempat. Salah satunya waktu dekat, pemerintah akan merenovasi Jembatan Cinta di Pulau Tidung.

Jembatan Cinta merupakan jembatan kayu yang menghubungkan Pulau Tidung Besar dan Pulau Tidung Kecil. Pulau Tidung sebenarnya terdiri dari dua, Pulau Tidung Besar dan Pulau Tidung Kecil.


Selain itu, pemda juga mulai memerhatikan kemudahan transportasi menuju pulau, dengan memberi izin Kapal tradisional dan Kapal ojek untuk mengangkut penumpang menuju pulau.

Tak banyak yang tahu pula jika Pulau Tidung memiliki daya tarik wisata lain, tepatnya wisata sejarah. Di Pulau Tidung Besar terdapat Makam Raja Pandita. Konon, itu adalah makam seorang raja dari Malaysia yang datang ke Tidung. Rencana pengembangan wisata makam yang ada di Tidung Besar juga sedang dibangun.

Adanya kegiatan GMT di Pulau Tidung menjadi salah satu daya tarik bagi wisatawan untuk datang ke Tidung. Sehingga tercipta suasana tempat yang nyaman dan bersih di Pulau Tidung.

Demikianlah cerita singkat dengan wisata pasir putih yang berada di Pulau Tidung, sehingga dapat memberikan penyemangat bagi para wisatawan untuk berwisata ke Pulau Tidung. Lihat : Paket wisata murah Pulau Tidung

Sumber  By  : Bro Iman

TAG : pasir putih pulau tidung, wisata pasir putih pulau tidung, wisata jakarta pasir putih, jakarta pulau tidung pasir putih, pasir putih unik dan bersih jakarta

The live music at the Vice Media party on Friday shook the room. Shane Smith, Vice’s chief executive, was standing near the stage — with a drink in his hand, pants sagging, tattoos showing — watching the rapper-cum-chef Action Bronson make pizzas.

The event was an after-party, a happy-hour bacchanal for the hundreds of guests who had come for Vice’s annual presentation to advertisers and agencies that afternoon, part of the annual frenzy for ad dollars called the Digital Content NewFronts. Mr. Smith had spoken there for all of five minutes before running a slam-bang highlight reel of the company’s shows that had titles like “Weediquette” and “Gaycation.”

In the last year, Vice has secured $500 million in financing and signed deals worth hundreds of millions of dollars with established media companies like HBO that are eager to engage the young viewers Vice attracts. Vice said it was now worth at least $4 billion, with nearly $1 billion in projected revenue for 2015. It is a long way from Vice’s humble start as a free magazine in 1994.

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At the Vice after-party, the rapper Action Bronson, a host of a Vice show, made a pizza. Credit Jesse Dittmar for The New York Times

But even as cash flows freely in Vice’s direction, the company is trying to keep its brash, insurgent image. At the party on Friday, it plied guests with beers and cocktails. Its apparently unrehearsed presentation to advertisers was peppered with expletives. At one point, the director Spike Jonze, a longtime Vice collaborator, asked on stage if Mr. Smith had been drinking.

“My assistant tried to cut me off,” Mr. Smith replied. “I’m on buzz control.”

Now, Vice is on the verge of getting its own cable channel, which would give the company a traditional outlet for its slate of non-news programming. If all goes as planned, A&E Networks, the television group owned by Hearst and Disney, will turn over its History Channel spinoff, H2, to Vice.

The deal’s announcement was expected last week, but not all of A&E’s distribution partners — the cable and satellite TV companies that carry the network’s channels — have signed off on the change, according to a person familiar with the negotiations who spoke on the condition of anonymity because the talks were private.

A cable channel would be a further step in a transformation for Vice, from bad-boy digital upstart to mainstream media company.

Keen for the core audience of young men who come to Vice, media giants like 21st Century Fox, Time Warner and Disney all showed interest in the company last year. Vice ultimately secured $500 million in financing from A&E Networks and Technology Crossover Ventures, a Silicon Valley venture capital firm that has invested in Facebook and Netflix.

Those investments valued Vice at more than $2.5 billion. (In 2013, Fox bought a 5 percent stake for $70 million.)

Then in March, HBO announced that it had signed a multiyear deal to broadcast a daily half-hour Vice newscast. Vice already produces a weekly newsmagazine show, called “Vice,” for the network. That show will extend its run through 2018, with an increase to 35 episodes a year, from 14.

Michael Lombardo, HBO’s president for programming, said when the deal was announced that it was “certainly one of our biggest investments with hours on the air.”

Vice, based in Brooklyn, also recently signed a multiyear $100 million deal with Rogers Communications, a Canadian media conglomerate, to produce original content for TV, smartphone and desktop viewers.

Vice’s finances are private, but according to an internal document reviewed by The New York Times and verified by a person familiar with the company’s financials, the company is on track to make about $915 million in revenue this year.

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Vice showed a highlight reel of its TV series at the NewFronts last week in New York. Credit Jesse Dittmar for The New York Times

It brought in $545 million in a strong first quarter, which included portions of the new HBO deal and the Rogers deal, according to the document. More of its revenue now comes from these types of content partnerships, compared with the branded content deals that made up much of its revenue a year ago, the company said.

Mr. Smith said the company was worth at least $4 billion. If the valuation gets much higher, he said he would consider taking the company public.

“I don’t care about money; we have plenty of money,” Mr. Smith, who is Vice’s biggest shareholder, said in an interview after the presentation on Friday. “I care about strategic deals.”

In the United States, Vice Media had 35.2 million unique visitors across its sites in March, according to comScore.

The third season of Vice’s weekly HBO show has averaged 1.8 million viewers per episode, including reruns, through April 12, according to Brad Adgate, the director of research at Horizon Media. (Vice said the show attracted three million weekly viewers when repeat broadcasts, online and on-demand viewings were included.)

For years, Mr. Smith has criticized traditional TV, calling it slow and unable to draw younger viewers. But if all the deals Vice has struck are to work out, Mr. Smith may have to play more by the rules of traditional media. James Murdoch, Rupert Murdoch’s son and a member of Vice’s board, was at the company’s presentation on Friday, as were other top media executives.

“They know they need people like me to help them, but they can’t get out of their own way,” Mr. Smith said in the interview Friday. “My only real frustration is we’re used to being incredibly dynamic, and they’re not incredibly dynamic.”

With its own television channel in the United States, Vice would have something it has long coveted even as traditional media companies are looking beyond TV. Last year, Vice’s deal with Time Warner failed in part because the two companies could not agree on how much control Vice would have over a 24-hour television network.

Vice said it intended to fill its new channel with non-news programming. The company plans to have sports shows, fashion shows, food shows and the “Gaycation” travel show with the actress Ellen Page. It is also in talks with Kanye West about a show.

It remains to be seen whether Vice’s audience will watch a traditional cable channel. Still, Vice has effectively presold all of the ad spots to two of the biggest advertising agencies for the first three years, Mr. Smith said.

In the meantime, Mr. Smith is enjoying Vice’s newfound role as a potential savior of traditional media companies.

“I’m a C.E.O. of a content company,” Mr. Smith said before he caught a flight to Las Vegas for the boxing match on Saturday between Floyd Mayweather Jr. and Manny Pacquiao. “If it stops being fun, then why are you doing it?”

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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