RUMAH DEKAT DENGAN STASIUN BEKASI I RUMAH NYAMAN DEKAT SUMARECON BEKASI I RUMAH MEWAH HARGA MURAH DI BEKASI UTARA   A

RUMAH DEKAT DENGAN STASIUN BEKASI I RUMAH NYAMAN DEKAT SUMARECON BEKASI I RUMAH MEWAH HARGA MURAH DI BEKASI UTARA

Anda sedang mencari rumah strategis di wilayah bekasi utara, dengan akses jalan yang mudah di tempuh .Di Jual Rumah Di Wilayah Bekasi Utara

Rumah yang kami tawarkan ini, berada di wilayah perumahan, dengan mempunyai fasilitas sebagai berikut :

1. Dekat Stasiun Bekasi

2. Dekat Sumarecon Bekasi

3. Jalan bisa di lalui dua mobil.( jalan lebar, sehingga bisa leluasa untuk lewat 2 mobil )

4. Dua kamar tidur

5. Satu Gudang

6. 1 mushola

7. Ada 2 kamar mandi.

8. Ada dak atas untuk jemur pakaian

Harga yang kami tawarkan sangatlah fantastis, dengan ukuran rumah yg sangat leluasa, serta akses jalan sangatlah mudah.

Untuk info lebih lengkap/jelas silahkan hubungi kami di

0812 8432 9553

0815 2775 1315

0818 0695 5207

saco-indonesia.com, Tips Memilih Cat Tembok Untuk Interior Bagi konsep rumah modern, cat juga merupakan salah satu unsur y

saco-indonesia.com,

Tips Memilih Cat Tembok Untuk Interior

Bagi konsep rumah modern, cat juga merupakan salah satu unsur yang sangat penting untuk dapat menegaskan karakter rumah tersebut. Apalagi pada rumah dengan konsep minimalis, maka permainan warna pada cat akan dapat ikut untuk menentukan apakah rumah tersebut telah proporsional dengan lingkungan atau mood si pemilik rumah. Karena salah dalam pemilihan warna cat tembok, maka rumah tersebut juga akan terasa sangat berbeda, dan oleh karena itu pemilihan cat khususnya pada cat interior rumah minimalis juga harus dipikirkan matang-matang, karena hal itu jugs akan dapat menentukan seperti apa karakter rumah ataupun pemilik rumah itu sendiri. Rumah dengan cat warna kombinasi hitam dan merah tentu saja tidak akan menyenangkan untuk dilihat, apalagi ditinggali. Contoh sederhananya seperti itu.
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Pemilihan warna cat harus tepat

Untuk bisa dapat menemukan warna yang cocok untuk interior rumah minimalis, beberapa cara di bawah ini juga bisa membantu. Pertama, mulailah dengan kamar atau salah satu ruangan di dalam rumah yang bisa digunakan sebagai eksperimen atau percobaan. Bisa kamar mandi, atau bahkan kamar pribadi. Pilihlah dari warna favorit sebagai gambaran awal, bisa warna dari barang-barang favorit atau perabot-perabot atau benda-benda yang ada di dalam rumah seperti karpet, lukisan ataupun barang-barang lain. Biasanya yang sering terjadi adalah, tiap kamar merepresentasikan mood yang berbeda, maka untuk dapat mengakomodir hal tersebut bisa dengan menggunakan warna yang berbeda pada tiap-tiap kamar. Misalnya, warna-warna yang menenangkan untuk kamar pribadi, atau warna-warna sejuk untuk kamar mandi. Maka pemilihan cat interior juga harus benar-benar teliti agar tepat sasaran.
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Apabila masih merasa bingung, mungkin dapat mempelajari filosofi warna terlebih dahulu akan sangat membantu dalam menentukan cat interior rumah minimalis yang akan dipergunakan. Dengan mempelajari filosofi warna, penentuan warna sebagai unsur pelengkap sebuah rumah akan lebih mudah, karena sebenarnya tiap-tiap warna mewakili perasaan manusia, yang tentu saja akan berbeda. Bahkan jika benar-benar telah memahami filosofi warna, akan lebih mudah untuk dapat melakukan kombinasi-kombinasi warna yang tentunya akan memberi efek berbeda daripada warna tunggal. Efek gradasi warna tersebut juga akan dapat membuat sebuah ruangan menjadi terasa berbeda dan rumah akan menjadi semakin terasa nyaman dan berkarakter.

Editor : Dian Sukmawati

A 214-pound Queens housewife struggled with a lifelong addiction to food until she shed 72 pounds and became the public face of the worldwide weight-control empire Weight Watchers.

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.