Perjalanan Haji Umroh November 2015 Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.
Perjalanan Haji Umroh November 2015 Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.
saco-indonesi.com,
I’ve made up my mind,
Don’t need to
saco-indonesi.com,
I’ve made up my mind,
Don’t need to think it over,
if I’m wrong I am right,
Don’t need to look no further,
This ain’t lust,
i know this is love but,
If i tell the world,
I’ll never say enough,
Cause it was not said to you,
And thats exactly what i need to do,
If i’m in love with you,
Should i give up,
Or should i just keep chasing pavements?
Even if it leads nowhere,
Or would it be a waste?
Even If i knew my place should i leave it there?
Should i give up,
Or should i just keep chasing pavements?
Even if it leads nowhere
I’d build myself up,
And fly around in circles,
Wait then as my heart drops,
and my back begins to tingle
finally could this be it
Should i give up,
Or should i just keep chasing pavements?
Even if it leads nowhere,
Or would it be a waste?
Even If i knew my place should i leave it there?
Should i give up,
Or should i just keep chasing pavements?
Even if it leads nowhere
Should i give up,
Or should i just keep chasing pavements?
Even if it leads nowhere,
Or would it be a waste?
Even If i knew my place should i leave it there?
Should i give up,
Or should i just keep chasing pavements?
Even if it leads nowhere
Editor : Dian Sukmawati
Cerita Inspiratif: Kisah Kakek dan Pencuri Pepaya
saco-indonesia.com, Saya ingin
mengawali renungan kita kali ini dengan mengingatkan pada salah satu kisah kehidupan yang mungkin
banyak tercecer di depan mata kita.
saco-indonesia.com, Saya ingin mengawali renungan kita kali ini dengan mengingatkan pada salah satu kisah kehidupan yang mungkin banyak tercecer di depan mata kita. Cerita ini tentang seorang kakek yang sederhana, hidup sebagai orang kampung yang bersahaja. Suatu sore, ia mendapati pohon pepaya di depan rumahnya telah berbuah. Walaupun hanya dua buah namun telah menguning dan siap dipanen. Ia berencana memetik buah itu di keesokan hari. Namun, tatkala pagi tiba, ia mendapati satu buah pepayanya hilang dicuri orang.
Kakek itu begitu bersedih, hingga istrinya merasa heran. “masak hanya karena sebuah pepaya saja engkau demikian murung” ujar sang istri.
“bukan itu yang aku sedihkan” jawab sang kakek, “aku kepikiran, betapa sulitnya orang itu mengambil pepaya kita. Ia harus sembunyi-sembunyi di tengah malam agar tidak ketahuan orang. Belum lagi mesti memanjatnya dengan susah payah untuk bisa memetiknya..”
“dari itu Bune” lanjut sang kakek, “saya akan pinjam tangga dan saya taruh di bawah pohon pepaya kita, mudah-mudahan ia datang kembali malam ini dan tidak akan kesulitan lagi mengambil yang satunya”.
Namun saat pagi kembali hadir, ia mendapati pepaya yang tinggal sebuah itu tetap ada beserta tangganya tanpa bergeser sedikitpun. Ia mencoba bersabar, dan berharap pencuri itu akan muncul lagi di malam ini. Namun di pagi berikutnya, tetap saja buah pepaya itu masih di tempatnya.
Di sore harinya, sang kakek kedatangan seorang tamu yang menenteng duah buah pepaya besar di tangannya. Ia belum pernah mengenal si tamu tersebut. Singkat cerita, setelah berbincang lama, saat hendak pamitan tamu itu dengan amat menyesal mengaku bahwa ialah yang telah mencuri pepayanya.
“Sebenarnya” kata sang tamu, “di malam berikutnya saya ingin mencuri buah pepaya yang tersisa. Namun saat saya menemukan ada tangga di sana, saya tersadarkan dan sejak itu saya bertekad untuk tidak mencuri lagi. Untuk itu, saya kembalikan pepaya Anda dan untuk menebus kesalahan saya, saya hadiahkan pepaya yang baru saya beli di pasar untuk Anda”.
Hikmah yang bisa diambil dari kisah inspirasi diatas, adalah tentang keikhlasan, kesabaran, kebajikan dan cara pandang positif terhadap kehidupan.
Mampukah kita tetap bersikap positif saat kita kehilangan sesuatu yang kita cintai dengan ikhlas mencari sisi baiknya serta melupakan sakitnya suatu “musibah”?
Sumber:Pengjian LDII(Liwon Maulana "galipat")
Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
“That was the Eureka moment,” Mr. Rolfs said.
In 1890, a girl in Edison’s laboratory had recited:
There was a little girl,
And she had a little curl
Right in the middle of her forehead.
When she was good,
She was very, very good.
But when she was bad, she was horrid.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.
Richard Suzman, 72, Dies; Researcher Influenced Global Surveys on Aging
At the National Institutes of Health, Dr. Suzman’s signature accomplishment was the central role he played in creating a global network of surveys on aging.